Transit, an installation

Transit is an exhibition presenting art and science, initiated by researchers from Sustainable Industry Lab and curated by Projectspace on the Inside. Central to the theme is the energy transition, and specifically how the distribution of wealth, extraction, industrial opportunity and responsibility will shift. 

'Natascha Libbert’s photographs trace the indelible mark that human presence leaves on nature, and are permeated by a profound sense of urgency. The installation consists of 24 images hanging within a large space. Some images depict moments of destruction at times when crises are converging. Others show the beginning of something new. In her work, Libbert focuses on a world of both destruction and recovery. Her images represent both sustainability and destruction, accountability and complicity.' Bram Vermeer

More words below images.

The dismantled Boeing 747 is a relic of an era that comes to an end prematurely during COVID and is used for recycling. A metaphor for industrial transition. Controlled burns are a means to prevent uncontrolled fires in times when drought and heat is increasing. They are also a healthy means of promoting ecology. If done right. The industry of agriculture in the s'outh of Spain supplies Northern Europe with food but is a toxic place to live as an illegal worker and creates an overwhelming quantity of plastic permeating the landscape and plant-life in its core. A vulnanic eruption is a forebode to destruction yet also new fertility. The salt and rock we extract is commonly work done by women and children providing riches elsewhere. 

To every destruction there is also a paradoxical strength of resilience. I chose to depict landscapes earthly and unearthly, plants and fires and eruptions as a profound example of not only destruction but also resurrection because it is the paradox of our times that while we are as societies, fixated on the promise of "better" and "more", we will experience a shift of welfare within a time challenged by climate change, extreme weather, the destruction of flora and fauna, the disappearance of landscapes and entire regions that have become uninhabitable due to human activity (climate change or extraction). As a result, that which we have become accustomed to wanting or achieving, is no longer a given. 

'For me the exhibition is not only about the urgency of climate change and the energy transition but very much about earthly matters, perspectives on surfaces and their value, our relationship with things earthly. In some societies we have estranged ourselves from the cycles of natural creation. Elsewhere logical practice, relationship, reciprocality and vernacular design remains. I am drawn to these surfaces especially if there is a notion of survival.' - NL